Fun Books!

I loved it. After the first 100 pages or so, I could no longer put it down! For years I've wanted Robin Cook or Michael Palmer to write this story, and I'm so glad that John Adams finally did...and I must say, did as good a job with it as they would have. It may be a work of fiction, but there is more truth to it than I want to think about. Vaccine injuries are certainly NOT FICTION, I know, I have cared for my vaccine injured daughter for the past nine years. I highly recommend this book. If you like medical mysteries, you'll love this one.

BOOK FIVE:   As his fifth year at Hogwarts School of Witchcraft and Wizardry approaches, 15-year-old Harry Potter is in full-blown adolescence, complete with regular outbursts of rage, a nearly debilitating crush, and the blooming of a powerful sense of rebellion. It's been yet another infuriating and boring summer with the despicable Dursleys, this time with minimal contact from our hero's non-Muggle friends from school. Harry is feeling especially edgy at the lack of news from the magic world, wondering when the freshly revived evil Lord Voldemort will strike. Returning to Hogwarts will be a relief... or will it?

BOOK FOUR:   Rowling offers up equal parts danger and delight--and any number of dragons, house-elves, and death-defying challenges. One night a vision, harrowing enough to make his lightning-bolt-shaped scar burn, has Harry on edge and contacting his godfather-in-hiding, Sirius Black. Happily, the prospect of attending the season's premier sporting event, the Quidditch World Cup, is enough to make Harry momentarily forget that Lord Voldemort and his sinister familiars--the Death Eaters--are out for murder. Long before her fourth installment appeared, Rowling warned that it would be darker, and it's true that every exhilaration is equaled by a moment that has us fearing for Harry's life, the book's emotions running as deep as its dangers.

BOOK ONE:   Say you've spent the first 10 years of your life sleeping under the stairs of a family who loathes you. Then, in an absurd, magical twist of fate, you find yourself surrounded by wizards, a caged snowy owl, a phoenix-feather wand, and jellybeans that come in every flavor, including strawberry, curry, grass, and sardine. Not only that, but you discover that you are a wizard yourself! This is exactly what happens to young Harry Potter in J.K. Rowling's enchanting, funny debut novel.

BOOK TWO:   Harry's back at school for year two! Strange things are afoot, with the appearance of an unusual houseguest, and the adventure continues at Hogwarts. This book is a blast!

BOOK THREE:   Harry's third year at school starts out another fantastic adventure and mystery. Why is that dog following Harry? Will they ever win that trophy in Quiddich? Read on!

Frank Herbert's Dune goes a long way toward satisfying science fiction purists who scoffed at David Lynch's previous attempt to adapt Herbert's epic narrative. Director John Harrison's 288-minute TV miniseries (broadcast on the Sci-Fi Channel in December 2000) offers its own share of strengths and weaknesses, which, in retrospect, emphasize the quality of Lynch's film while treating Herbert's novel with a more comprehensive authority. Debate will continue as to which film is better.

Don't even think about reading House Harkonnen without reading it's predecessor Dune: House Atreides... anyone who does so risks sinking in the sands of Frank Herbert's original Dune! Brian and Kevin once again deliver an involved and convoluted plot, which gives us insights to these beloved characters.

Frank Herbert's Dune series is one of the great masterpieces of science fiction. His son Brian has joined with the great Kevin J. Anderson to craft a "prequel", helping to define House Atreides and the other colorful characters of the Herbert Universe. My son says "It's awesome, dad!"

Here is the novel that started it all, launching the cyberpunk generation, and the first novel to win the holy trinity of science fiction: the Hugo Award, the Nebula Award and the Philip K. Dick Award. With Neuromancer, William Gibson introduced the world to cyberspace--and science fiction has never been the same.

Turner, corporate mercenary, wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him for a mission more dangerous than the one he's recovering from: Maas-Neotek's chief of R&D is defecting. Turner is the one assigned to get him out intact, along with the biochip he's perfected. But this proves to be of supreme interest to certain other parties--some of whom aren't remotely human.

Bobby Newmark is entirely human: a rustbelt data-hustler totally unprepared for what comes his way when the defection triggers war in cyberspace. With voodoo on the Net and a price on his head, Newmark thinks he's only trying to get out alive. A stylish, streetsmart, frighteningly probable parable of the future and sequel to Neuromancer

Into the cyber-hip world of William Gibson comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled...or even known. And behind the intrigue lurks the shadowy Yakuza, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes.

The author of Neuromancer takes you to the vividly realized near future of 2005. Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California. Here the millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pick-pocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich--or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart of DatAmerica, where pure information is the greatest high. And a mind can be a terrible thing to crash.

The author of the ground-breaking science-fiction novels Neuromancer and Virtual Light returns with a fast-paced, high-density, cyber-punk thriller. As prophetic as it is exciting, Idoru takes us to 21st century Tokyo where both the promises of technology and the disasters of cyber-industrialism stand in stark contrast, where the haves and the have-nots find themselves walled apart, and where information and fame are the most valuable and dangerous currencies.

Ten brilliant, streetwise, high-resolution stories from the man who coined the word cyberspace. Gibson's vision has become a touchstone in the emerging order of the 21st Century, from the computer-enhanced hustlers of Johnny Mnemonic to the technofetishist blues of Burning Chrome. With their vividly human characters and their remorseless, hot-wired futures, these stories are simultaneously science fiction at its sharpest and instantly recognizable Polaroids of the postmodern condition.

A collaborative novel from the premier cyberpunk authors, William Gibson and Bruce Sterling. Part detective story, part historical thriller, The Difference Engine takes us not forward but back, to an imagined 1885: the Industrial Revolution is in full and inexorable swing, powered by steam-driven, cybernetic engines. Charles Babbage perfects his Analytical Engine, and the computer age arrives a century ahead of its time.

With the basic principle that creative expression is the natural direction of life, Julia Cameron and Mark Bryan lead you through a comprehensive twelve-week program to recover your creativity from a variety of blocks, including limiting beliefs, fear, self-sabotage, jealousy, guilt, addictions, and other inhibiting forces, replacing them with artistic confidence and productivity. This book links creativity to spirituality by showing how to connect with the creative energies of the universe, and has, in the four years since its publication, spawned a remarkable number of support groups for artists dedicated to practicing the exercises it contains.

Cameron's The Artist's Way: A Spiritual Path to Higher Creativity (1992) worked so well for so many people it became a best-seller, thus turning Cameron into a creativity guru for artists of all kinds, but especially for writers. Cameron's mind-freeing exercises are the basis for many a workshop and writers' group, and the wisdom she has gained through teaching has inspired her to develop new and even more probing techniques for liberating what she believes is our innate creativity. Cameron characterizes her teachings as "a process of creative individuation and emergence," or, to use that dreadful New Age phrase, of freeing the inner child. To her credit, Cameron is perfectly aware of readers' resistance to such approaches, but she forges ahead nonetheless, reminding us that a closed mind is antithetical to creativity. She encourages readers to explore various "kingdoms" of sight, sound, story, attitude, relationship, spirituality, and possibility both in her narrative and in work sheet-based exercises, all aimed at mining that "vein of gold," our creative heart.

Writing, for Julia Cameron, is neither solely vocation nor avocation: it is a way of life. It comes first thing in the morning, while the horses are waiting to be fed; it happens at the kitchen counter, while the onions are sautéing; it takes place on "dates" at café tables shared with likeminded friends; it unfurls in the mind as the '65 pickup "bucks over the rutted dirt roads like a stiff-legged bronco." The more than 40 brief personal essays that make up The Right to Write are an unyielding affirmation of the writing life and a denigration of all that gets in the way: busy schedules, procrastination, insecurity, lack of writing space, a day job--you get the point. Cameron's commonsense advice is liberating to anyone who has felt hampered by making a big deal out of writing (this "tends to make writing difficult. Keeping writing casual tends to keep it possible"), by not having the time to write ("Get aggressive. Steal time"), or the like. If you find a spirit that compares writing to revelation, prayer, and Zen pursuits, that might just attribute misguided communication to Mercury retrograde simpatico, then you will find much to embrace here. And you will never, never again dream of waiting for that commitment-free sabbatical in the south of France to get your writing project under way.